|Dr Joel Green of Rutland, Vt, 1831 by Asahel Lynde Powers (American, 1813-1843), SAHS collection. The painting is on permanent display at the SAHS along with paintings of the Chase family, also by Powers.|
Like many early 19th century American paintings, Powers' early works were oil on wide wood panels. All five of the Powers paintings owned by the SAHS are done on wood panels. As a traveling artist, Powers eventually switched to canvas as canvas would have been far more portable than heavy wooden panels. His early work is known for its strong outlines, colorful details and facial delineation. The clothing and accessories of the sitters are painted with a bold hand. Powers experimented with different colors in the backgrounds of his paintings throughout his career which helps in dating his work as many of his portraits were not signed or dated.
Powers traveled throughout Vermont and New York painting his portraits. In 1840 his was living in New York with his wife, Elizabeth M. Powers. Powers later moved to Illinois where he died in 1843.
Two paintings sold by Peggy McClard Antiques Americana & Folk Art (seen below) are of Daniel Griswold and his daughter and Louisa Griswold Field, both of Springfield, Vermont. The green dress worn by Louisa is believed to be her wedding dress. She married Abner Field of Springfield on February 16, 1832 and together they had four children. Louisa died in Springfield on August 15, 1884. Powers painted her when she was about 27 years old, her father was 73.
|Louisa Griswold Field age 27 of Springfield, Vt|
|Daniel Griswol, age 73, of Springfield, Vt|
Below is portrait a of handsome young gentleman believed to have been painted by Powers in the 1830s.
|Portrait of a Young Gentleman. Unsigned. Oil on poplar panel, c. 1830. Attributed to Asahel Lynde Powers. Sold by Skinner Inc.|
|Eliza Ann Farrar by Asahel Lynde Powers|
For additional information on Asahel Lynde Powers:
Art Blog - It's About Time
Little, Nina Fletcher, Asahel Powers-Painter of Vermont Faces. The Colonial Williamsburg Foundation, 1973. Plates 37 & 38, pages 38-39.